It is Aphex Twin meets Martin Denny on "Bam Boo", John Oswald (Plunderphonics) meets Jackie Gleason on "Poker", or Negativland commissioned to do the ad soundtrack for a crumbling paradise motel on a sinking tropical isle. Or Eno as Quasimodo on "Bell". A Peter Gunn ("gunn") sample in a Moulinex offers whimsical explorations of sound and memory that remind us of the Kraftwerk maxim: machines may indeed have soul (or at least a number of composition-divided-by-whimsy-times-funk settings).
elevator 2
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