
....τριπλο cd με ολες τις επιτυχιες του διασημοτερου συνθετικου trio των 80's
GOLDSTRGZR

..τι να μας πει και η Scarlett τωρα!
1000 FIRESSTRGZR

''waves of muted guitar feedback, relentless rhythmic loops, and songs that don’t really progress so much as fill the room for ten minutes like a fog before slowly dissipating.''
schemastrgzr

....και εκει που ολοι νομιζαν οτι οι Coil δεν ειχαν πια τιποτα καινουριο να προσφερουν
κυκλοφορουν τα 2 Musick και επαναπροσδιοριζουν τη θεση τους στο χαρτη της μοντερνας
μουσικης...προσωπικη μου γνωμη ειναι οτι ειναι οι δυο καλυτεροι τους δισκοι.
DARK 1
DARK 2
STRGZR
disc 1
disc 2
''The Tell Tale Signs of Earworm represents the first 3 or 4 years of the most innovative label in the UK. Over the years Earworm has been at the forfront of the bedroom indie scene and this double CD contains previously released tracks from long deleted 7"s alongside tracks that would have been put onto wax if there was more money available. Of the tracks on the first disk, Avrocar stand out with their beautiful, epic, electro pop. Elsewhere Maps Of Jupiter brew up a fuzzy storm with 'Wait' whilst France's Tank travel the 70's rawk route.
Disk two's highlights are tracks from The Minders, Southall Riot and Magnetic North Pole.
All in all an excellent record''
STRGZR
Green! was recorded using only an acoustic guitar, a melodica, a flute, some programming and Clem's sweet voice. This lo-fi folky approach was only hinted on his previous releases, and it's maybe because it's simplicity that it leaves you smiling, fulfilled and wanting more of this green love.
green!strgzr

...bittersweet electro-acoustic alienating prog shoegazing pop...
D.BSTRGZR
The Vessel, second Broadway Project album, sees Berridge and vocalist Richard Palmer exploring further the bleak atmospheres of
Compassion. While the first album was mostly instrumental, with occasional vocal contributions,
The Vessel expands on Berridge’s original cinematic soundscapes, and Palmer’s contribution is nothing short of impressive.
the vesselstrgzr

The seven songs here are a strong, smart combination of pummelling riffage and carefully-planned changes, something like a Ruins' 45 played at 33 – or a more complex updating of Godflesh.
noxagt
strgzr